In his show notes, Naeem Khan said of the 10th anniversary of his showing at New York Fashion Week, “the journey has been not only about the beautiful clothes but also about the people that have become an integral part of this art, from conventional artisans in India to luxury European textile makers.” It was obvious from the thriving couture fabrics and obscure beading that the designer was raising a toast to those skills, and yet the beauty of such work does not always decode into pleasing  wear’s.

While both socialites and actresses similarly have preferential Khan’s skillfully rich creations over the past decade, this collection had both hits and misses.  A coral-and-maroon strapless degrade-chiffon ribbon gown, a pair of metallic arena-beaded dresses in gown and cocktail lengths, and a gunmetal-and-black metallic chevron gown that would do a starlet nicely come Oscar night. But pieces thrown in for theatrical effect — an olive green group of beaded and pleated gowns, a Fred Astaire-valuable topcoat and tails in both black and white, and myriad beaded jumpsuits, especially one topped by a sweeping faille cape with excess yardage — shed light on why some actresses just prefer to play it safe on the red carpet.

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